Reagan in Dublin

Dublin at the beginning of June 1984 was warm and sunny. ‘Star Wars – The Empire Strikes Back’ was playing in Dublin cinemas and ironically Ronald Reagan who named his country’s defence system after the sci-fi film was in town. He did not receive a warm welcome from his ancestral home.

The protests against his visit were country-wide and brought together a diverse alliance of people who might not normally join forces. Left groups marched alongside nuns and priests. What united them was Reagan’s foreign policies, mainly those in Central and South America.

I photographed the Dublin protests — the march of over 10,000 people to the Dáil and a picket on the US embassy — and I have two regrets about the photographs I took or rather didn’t take that day. Instead of going to the night-time vigil when thousands of people surrounded Dublin Castle where Reagan was being feted and dined by the powers-that-be, I was persuaded by my partner of that time to do a spot of baby-sitting for him. So, while protesters formed a chain around the castle, beating drums and cat-calling to the president into the night, I was sat at home. Obviously, my feminist sensibilities required some honing at that stage…

That same night something else was happening outside the US ambassador’s residence in the Phoenix Park. This brings me to my second regret which is deeper than the first.
A group, Women for Disarmament, had set up a camp in the Park days before just yards from the entrance to the residence. The women were part of the international anti-war movement and comprised upwards of seventy women who camped out in expectation of Reagan’s arrival. They were not breaking any laws but the police, under pressure from the US Secret Service, twice gathered them into police vans and drove them into the city. The women, of course, regrouped and returned to their camp.

I was a political snob then and I have to admit I found the WFD group irritating but nevertheless, in the days before, I, along with other women, prepared pots of stew in the Women’s Centre on Dame Street and brought them to the women in the Park. What I did not bring was my camera and so did not capture any images of their circular camp which was both good-humoured and earnest. And I bitterly regret this for these women suffered for their protest.

On the night of the Dublin Castle vigil, they painted their hands red and imprinted them on the ambassador’s gates. The Secret Service were incensed. Pressure was exerted and the local police arrived in greater numbers than before and formally arrested the protesters. The women were brutally removed. One disabled woman was dragged away by the heels.

They were imprisoned in the Bridewell Garda Station, illegally as it emerged, for between one and two nights in crowded, dirty cells. They remained there until Airforce 1 rose into the air taking the president back from whence he had come.
The empire knew how to strike back!

Rose Comiskey

Rose Comiskey — Reagan Protest Dublin 1984, available here


Homer Sykes—Biddy Boys Ireland 1972

This week’s publication is by Homer Sykes—Biddy Boys Ireland 1972. An edition of 150, 36 pages.
I have published several books by Sykes, the First being Blitz Kids, Skins and Silver Spoons. There are three more planned for this year.

From Homer:
My first documentary photographs date from the late 1960s, during 1970s – 1990s, my principal commissions in Britain were for what used to be called the “weekend colour supplements” such as The Telegraph, The Sunday Times, The Observer, You and the Sunday Express magazines. I also shot weekly news for Newsweek, Time, Now! and New Society magazines.

I always  worked on my own personal photographic documentary projects. These include work on aspects of British Society, and documenting traditional British folklore customs, that I started in 1970 and completed seven years later resulting in the publication Once a Year: Some Traditional British Customs (Gordon Fraser). I have in recent years been revisiting many of these annual events and finding ‘new’ annual customs that I had not photographed in the 1970s.

I am the  author, and co-author-photographer of eight books about Britain as well as Shanghai Odyssey (Dewi Lewis Publishing) and On the Road Again (Mansion Editions).

More recently Café Royal Books have published ten  limited editions books from my British archive.

My work is represented in private and National Collections.

I have had numerous exhibitions through out my career. A mini retrospective exhibition of ninety photograph, Homer Sykes England 1970-1980, was held at Maison de la Photographie Robert Doisneau, Paris for over three months in 2014. This was principally from my projects on aspects of British Society. I was the first British photographer to be shown there. There was a publication to go with the exhibit, Homer Sykes This is England  (Poursuite Editions), was published on the occasion of the exhibition.

My vintage prints are represented by the James Hyman Gallery London.

In the last 35 years I have gone from shooting about three editorial commissioned magazine stories a week, mainly one and two days assignments, to about one commission per annum. Which suits me fine, as 90% of my time is now taken up managing my archive, and shooting stuff that interests me.

Further reading.

My British Archive
In conversation with Peter Dench
Photo Histories
PhotoShelter Blog
Biddy Boys